Issue 03

Shirley Winters Ballet Photoshoot

The dancers of Shirley Winters Ballet and I got together early in the morning in the Fresno area of California.

I was up before dawn driving to the location, and as usual with getting up before the sunrise for a photoshoot, it was well worth it.

The dancers of Shirley Winters Ballet were extremely talented and fun to work with. They took direction well and each had unique strengths and charisma that they harnessed during the shoot.

You can check out Shirley Winters Ballet through their website here:

www.shirleywintersballet.com

And you can follow them on Instagram here: @SWinters_Ballet

-Oliver

Jaclyn Younger in the studio

Jaclyn Younger and I have shot many times over the years. She is a frequent collaborator and is always a joy to work with. These photos were created earlier this year at a new photo studio I hadn’t used before.

I gave Jaclyn various interview questions for this post. Here are her answers

What’s been your favorite piece to perform?

Over the years I've performed several traditionally classical roles that I really love (demi-soloist in Paquita, Snow Queen, Dew Drop, and Spanish Lead in The Nutcracker, and variations such as Gamzati's wedding variation from La Bayadere and the La Esmeralda variation), but the pieces that tend to stick to me the most lean more neoclassical and contemporary. Last season I performed in an original piece, Quatro, by Juilliard alumni and current University of New Mexico professor Vladimir conde Reche and it will always be a piece that I remember as a catalyst for growth, challenge, and overall, the love of performance as a whole. I can't wait to see what new roles and pieces continue to inspire me in the near future. 

 What are other forms of art you enjoy outside of ballet? 

Outside of ballet, I'm very drawn to both writing and photography. I graduated with a BA in Multimedia Journalism which I have been able to turn into a side job of professionally curating blogs and social media sites. Additionally, I work as an Assistant Creative Director for a nationally known wedding photography team (shout out to Alicia Lucia Photography), that allows me to continue to expand my skills as a writer, curator, and viewer of real-life love stories. 

Beyond my professional pursuits, I'm a sucker for art galleries both big and small. I'll find any excuse to visit an exhibit or full blown museum in my local community and when I travel. 

 What do you think needs to change about the ballet industry?

There are so many elements of ballet that need to change, but the most prominent to me are the treatment of dancers and the perception of bodies in the dance world. Too many times dancers are asked to essentially work for free or for very little money in high stress situations with sometimes zero medical or emotional support from dance companies. In any other field of work employees are able to demand more, however in the dance world, especially when it comes to ballet, asking for livable wages and appropriate work conditions is taboo and dancers are generally expected to 'tolerate it'. I fully support the notion of more dancers, no matter the size of their companies, unionizing in order to create a better present for themselves and  future for aspiring dancers. 

Additionally, I think that there needs to be a huge adjustment in the way that the ballet world handles the idea of a 'perfect ballet body'. For too long there has been a stigma around weight in ballet companies around the globe and this diminishes the fact that dancers are human beings and therefore should be able to embrace change in their bodies over the years. 

If ballet as a whole can't take on the demands of the 21st century such as treating dancers like people instead of just bodies, there is a real question of if the art form itself can truly be salvaged moving forward. As someone who loves ballet to my core, I hope that ballet, and the dance world at large, can adapt and create a more welcoming, realistic community for all.  

You can follow Jaclyn on IG and keep an eye here for more of our shoots in the future.

-Oliver

Adeline Wylie in Studio

This is the first time Adeline Wylie and I created in a photo studio together. We shot at a local place and utilized natural light.

Adeline brought a variety of fun outfits that we got to play with. I think the photos have an ethereal/editorial vibe.

As you can see from the photos, Adeline is definitely a pro at modeling.

You can follow Adeline on Instagram @Addy.Wylie and keep an eye on the Zine for more shoots with her in the future.

-Oliver Endahl

Stacey Hazen at HappyGoLucky in New York

Stacey Hazen and I got to shoot at the HappyGoLucky immersive art installation in New York City.

Immersive art experiences like this one pop up from time to time, and I always love creating at them. They’re designed to be utilized for photoshoots. The concept is that your friend stands in the art piece and you snap a photo of them. (Thus, the “immersive” part of the experience.) So you become part of the art itself.

The quality varies from installation to installation, but this one was particularly fun because A. Stacey Hazen is extremely talented and fun to shoot with and B. The colors of this HappyGoLucky really popped off.

(Love that “High Line” text on the phone booth)

You can follow Stacey Hazen on IG here and keep an eye on the Ballet Zaida Zine for more shoots with her.

till next time,

-Oliver